Category: 02 – the concept of irony

Controlled Irony

I finished Kierkegaard’s The Concept of Irony yesterday.  While the majority of the text worked through Socrates thoroughgoing negativity the final section looked at “Irony After Fichte.”  This was essentially a commentary on Romanticism.  I think I missed something in this section.  While Kierkegaard was not entirely critical of this expression he also did not view this movement as either reflecting or going beyond Socrates.  In browsing over what I underlined I saw what might be a paradigmatic statement at the start of the section;

It was in Kant, to call to mind only what is generally known, that modern speculative thought, feeling itself mature and come of age, became tired of the guardianship in which it had lived hitherto under dogmatism and, like the prodigal son, went to its father and demanded that he divide and share the inheritance with it.  The outcome of this division of the inheritance is well known, and also that speculation did not have to go abroad in order to squander its resources, because there was no wealth to be found.  The more the I in criticism became absorbed in contemplation of the I, the leaner and leaner the I became, until it ended with becoming a ghost. (272)

Turning then to Fichte he talks about how he “infinitized the I in I-I. . . . But this infinity of thought in Fichte is, like all Fichte’s infinity, negative infinity, an infinity in there is no finitude, an infinity without any content” (273).  I don’t entirely understand why K. becomes more critical of this ongoing need of irony to ‘free itself’ (he was hardly critical of Socrates in this regard).  The criticism comes, it seems, on the shift towards making everything myth as a disingenuous mode of irony (contra Socrates); a sort of unfair play by irony to keep its thinking free.  This [Romantic] ironist ‘poetically composes’ but is not ‘poetically composed’.  This would require a limiting within actuality.  There is no content for the Romantic and transitions are nothing.  “At times he is a god, at times a grain of sand” (284).  So while Romanticism offered a cool breeze its tragedy is that “what it seizes upon is not actuality” (304).

So at the end of his 35o page dissertation he offers a brief 5 page conclusion, “Irony as a Controlled Element, the Truth of Irony.”  Here he treads carefully along the contentious line relating the life of the poet to the poetic work.  K. agrees that the poet’s life is no concern of ours.  “But in the present undertaking it should not be out of place to point out the misrelation that can often exist in this respect” (325).  I am still not quite sure what that sentence means.  As an example he points to Goethe.  “The reason Goethe’s poet-existence was so great was that he was able to make his poet-life congruous with actuality.  But that in turn takes irony, but, please note, controlled irony” (325).  K. accuses the Romantic of being incongruous with his work.  The point here seems to be that poetry is nothing if it does affect lives . . . and should it not affect the poet above all!  K. continues making the intriguing statement “what doubt is to science, irony is to personal life” (326).

As I am re-reading this short conclusion I am realizing that it is much more suggestive than I first realized.  I think I will end it here for now and spend a little more time working directly through his conclusion.

I am also almost finished the 100 pages of notes Kierkegaard took on the lecture series he attended by Schelling.  It is a supplement added to the Princeton series . . . I kinda of wish it wasn’t.  I doubt I will post anything on it.

Irony and Change; Or, Why Porn is F**king Boring (Or is that Other Way Around?)

Kierkegaard begins the second part of The Concept of Irony exploring the place of irony in shifting or changing of historical eras.

Catholicism was the given actuality for the generation living at the time of the Reformation, and yet it was also the actuality that no longer had validity as such.  Consequently, one actuality collides here with another actuality. (260)

Kierkegaard goes on to explore the difference between the ironist on one hand and the prophet and hero on the other.  The prophet articulates presentiments and the hero battles for the new over the old but the ironist perceives the old “in all its imperfection” (261).

For the ironic subject, the given actuality has lost its validity entirely; it has become for him an imperfect form that is a hindrance everywhere.  But on the other hand, he does not possess the new. . . . He is the one who must pass judgment.  In one sense the ironist is certainly prophetic, because he is continually pointing to something impending, but what it is he does not know.  He is prophetic, but his position and situation are the reverse of the prophet’s. The prophet walks arm in arm with his age, and from this position he glimpses what is coming. . . . The ironist, however, has stepped out of line with his age, has turned around and faced it.  That which is hidden from him, lies behind his back, but the actuality he so antagonistically confronts is what he must destroy; upon this he focuses his burning gaze (261).

The negative work of irony here is not of particular phenomena but of the whole, infinite absolute negativity.  Here Kierkegaard begins to drawn heavily on Hegel noting that the ‘negative’ in Hegel’s system is ‘irony’ in actual history.  He then moves on to articulate a position that sounds very much like the Hegel/Kierkegaard synthesis that Zizek promotes.

[S]ince the ironist does not have the new in his power, we might ask how, then, does he destroy the old, and the answer to that must be: he destroys the given actuality by the given actuality itself; but it should be remembered nevertheless that the new principle is present within him [potentially], as possibility.  But by destroying actuality by means of actuality itself, he enlists in the service of world irony.  In his Geschichte der Philosophie, Hegel says: “All dialectic allows as valid that which is to be valid as if it were valid, allows inner destruction to develop in it – the universal irony of the world” (262). [emphasis mine]

The means of destruction are provided by what is to be destroyed.  Let me take an example that may be more or less controversial depending on my reader.  I grew up with pornography being a dark, shrouded and heinous sin.  In my evangelical youth I remember various works emerging to deal with this problem.  Pornography was treated like acid.  To even inadvertently cast a less-than-pure glance over a cheerleader as you (religiously) watched football was to risk being splashed with its scarring spew.  Eye poison.

Now I can appreciate the need to address pornography on a number of levels but I began to see this approach heaping supernatural power on nearly every form of possible sexual expression.  Now for any of you wander off the straight and narrow path of internet browsing (perhaps finding less-than-legal sites for sampling music or whatever) it does not take much to come across some pretty hardcore stuff.  First glances raise all that historical baggage but then I actually looked at what was being promoted.  How incredibly unattractive and downright boring this stuff is.  I can see why the industry has to be the fastest evolving in terms of technology and expression because it plays out so quickly.  In other words the seeds of its destruction are within.  I am not looking to downplay the reality of addictions.  I mean getting drunk becomes pretty boring as well.  The question may be to help people into a space where they can see clearly what is at play and name it for themselves as opposed to having someone else name it for them.  Or at least to understand where these names come from and who is invested in them.

Now perhaps we can move on to economics . . .

Kierkegaard’s The Concept of Irony – Mid-Point Reflections

I have to say that The Concept of Irony has been a pleasant surprise.  It has provided a sorely needed introduction to Socrates.  Kierkegaard’s continual engagement with Hegel has also been helpful.  Surprisingly this engagement is primarily positive.  Hegel is an authoritative source to which Kierkegaard consistently appeals.

The method of Socrates is a thorough-going negativity.  All is clearing away, nothing is planted or established.  Kierkegaard reflects on the role of Socrates’ daimon as enabling a shift away from both state and religious control.  The daimon is not to be equated with consciousness but is a sort of necessary shift for the possibility of individuality.  Instead of state law or religious oracle there is now an internal / external authority.

Instead of the oracle, Socrates now has his daimon.  The daimonian in this case now lies in the transition from the oracle’s external relation to the individual to the complete inwardness of freedom and, as still being in this transition, is a subject for representation.  [citing Hegel] . . . “The daimon is not Socrates himself, nor his opinion, nor his conviction, but it is something unconscious; Socrates is impelled.” (163-164)

What is important for Kierkegaard is that the daimon only warns.  It, again, offers no positive content.  It remains negative.  Socrates brings nothing but silence and space, the vanishing point.  This is irony.

[Socrates’] whole position, therefore, rounds itself off in the infinite negativity that turns out to be negative in relations to both a previous and a subsequent development, although in another sense it is positive in both relations – that is, infinitely ambiguous.  Against the established order of things, substantial life of the state, his whole life was a protest. (218)

With regard to morality the good then becomes the process of becoming and not arriving.

There are clear and strong seeds and outlines here of what Kierkegaard will take up in later writings.  What interests me will be how and if he explicitly addresses his move away from Hegel and beyond Socrates (in Christ).  He seems to maintain the role of negativity.  There is high view of clearing away and creating space and yet joined to that is the possibility of the ‘leap’ which seems to allow for positivity that is not trapped in a Platonic or Hegelian idealism.  This text is far more invigorating than I expected.

I have an unusually high amount of free time this weekend so hopefully I can finish off this volume shortly.

Kierkegaard’s The Concept of Irony – Some Quick Thoughts on Method

The Concept of Irony is not recognized by Kierkegaard in his later work The Point of View on My Work as an Author.  Noteworthy, I think, is the fact that The Concept of Irony represents his first and last direct engagement with the academia.  Subsequent works were all published independently or jounralistically.  His writings had no backing or initiative from the academic institution.

While Kierkegaard received unanimous approval for his thesis it was not without qualification.  Nearly all critical comments were directed towards style and method. Kierkegaard himself notes this at several points and explicitly states in the conclusion of the first section how the whole treatise “departs somewhat from the now widespread and in so many ways meritorious scholarly method” (156).  What I take K to be referring to here is the subjective dialectic (or ironic method?) being employed.  K is trying to outline the Socratic as ironic but to do that he must wade through the mediated sources of Plato, Xenophon and Aristophanes.  This is no ‘Quest for the Historical Socrates’ (those scholars would have done well to read this).  Rather, Socrates is in some sense intuited by the misunderstandings of these three writers.  In a footnote K clarifies this mode,

Wherever, it is a matter of reconstructing a phenomenon by means of what could be a view in the stricter sense of the word, there is a double task: one must indeed explain the phenomenon and in so doing explain the misunderstanding, and through the misunderstanding one must attain the phenomenon and through the phenomenon break the spell of the misunderstanding (155).

This seems to me to be a healthy pre-Gadamer understanding of the situatedness of both the reader and the text.  And K presses forward pushing all scholarly boundaries by conceding that in all this he already had an ‘end’ in mind.

During this investigation, I have continually had something in mente [in mind], namely, the final view, without thereby laying myself open to the charge of a kind of intellectual Jesuitism or of having hidden, sought, and then found what I myself had found long ago.  The final view has hovered over each exploration simply as a possibility.  Every conclusion has been the unity of a reciprocity: it has felt itself drawn to what was supposed to explain and what it is supposed to explain drawn to it.  In a certain sense it has come into existence by means of reflecting, although in another sense it existed prior to it.  But this can scarcely be otherwise, since the whole is prior to its parts. . . . If I had posed the final view first of all and in each particular portion had assigned each of these three considerations its place, then I would easily have lost the element of contemplation, which is always important but here doubly so, because by no other way, not be immediate observation, can I gain the phenomenon (156). [emphasis mine]

This is not a simple admission that K found what he was looking for . . . eisegesis as the biblical scholars like to accuse.  Rather this seems at first to be a negative dialectic.  Perhaps it is already K’s attempt at Socratic irony.  However in the next part K says that he will shift methodology now incorporating ‘historical facts’ which he will treat in their ‘inviolate innocence.’  We’ll see where that goes . . .

The Concept of Irony – A Constructive Position?

I am still trying to outline the contours of SK’s initial approach to the Socratic method.  In relation to Christianity SK views Platonism as a negative to Christianity’s positive.

On the one hand, in Christianity that which is to be died to is understood in its positivity as sin, as  a realm that all too convincingly proclaims its validity to everyone who languishes under its laws; on the other hand, that which is to be born and is to arise is understood just as positively.  In the intellectual dying to [Platonism], that which is to be died to is something indifferent; that which is to grow during this dying to is something abstract. . . . The one says that we should refrain from unwholesome food, control desire, and then good health will come; the other says that we are to stop eating and drinking, and then one can have the hope of gradually becoming nothing.  Thus we see that the Greek is more of a rigorist than the Christian, but therefore this view is also untrue. (76-77)

I have mixed feelings about this basic distinction.  On the one hand it lends itself towards instrumentalizing Christianity.  But on the other hand it demands that Christianity remain articulated and engaged in the level of materiality.  I cannot imagine this will be SK’s unqualified word on the matter but I thought I would throw it up to keep a point of orientation.

As I read along a little further I wonder if irony in the Platonic (or Socratic) context informs that space in which the necessity and the nothingness of death are affirmed.  Kierkegaard writes,

In my view, that well-known epitaph by Wessel, “At last he could not be bothered to live,” contains irony’s perception of death.

And then he continues,

But he who dies because he cannot be bothered to live certainly would not wish for a new life either, since that would indeed be a contradiction.  Obviously the languor that desires death in this sense is a snobbish sickness found only in the highest social circles and in its perfectly unalloyed state is just as great as the enthusiasm that sees in death the transfiguration of life.  Ordinary human life moves drowsily and vaguely between these two poles.  Irony is healthiness insofar as it rescues the soul from the snares of relativity; it is a sickness insofar as it cannot bear the absolute except in the form of nothing, but this sickness is an endemic disease that only a few individuals catch and from which fewer recover (77-78). [emphasis mine]

The Concept of Irony

The Concept of Irony is Kierkegaard’s master’s thesis.  It is an examination of the socratic method as irony.  Kierkegaard’s articulation and clarification of Socrates based on Plato and not Xenophon is already fruitful for a person like myself with little classical background in philosophy.

Kierkegaard describes irony as follows,

One may ask a question for the purpose of obtaining an answer containing the desired content, so that the more on questions, the deeper and more meaningful becomes the answer; or one may ask a question, not in the interest of obtaining an answer, but to suck out the apparent content with a question and leave only an emptiness remaining.  The first method naturally presupposes a content, the second emptiness; the first is speculative, the second ironic.

Socrates took aim at the knowing subject considering it a god-given task to dismantle what others may have called wisdom to show it to be, in fact, ignorance.